GAYE NIEUWENHOF | THE PAINTERLY PRINT – COLLAGRAPHY:
TEXTURE, TONE & THE ART OF THE UNEXPECTED
Please click on the images below in the gallery to view the full photo
Monday 11 – Friday 15 January 2027
– SOLD OUT! if you would like to go on the waiting list please add your email below and click 'ADD TO WAITING LIST'
Discover the tactile world of collagraphy as you build, seal, ink, and print your own textured plates. This hands‑on workshop explores new matrix options, contemporary mediums, carborundum, embossment, and expressive wiping. Learn to work with surface, pressure, and chance to create layered, atmospheric prints that are entirely your own. All levels
– SOLD OUT! if you would like to go on the waiting list please add your email below and click 'ADD TO WAITING LIST'
Discover the tactile world of collagraphy as you build, seal, ink, and print your own textured plates. This hands‑on workshop explores new matrix options, contemporary mediums, carborundum, embossment, and expressive wiping. Learn to work with surface, pressure, and chance to create layered, atmospheric prints that are entirely your own. All levels
GAYE NIEUWENHOF Bio
Website gaye-nieuwenhof.com
Instagram jgnieuwenhof
My work as a painter and printmaker grows from a deep connection to the natural environment and a fascination with humble, often overlooked materials. I’m drawn to surfaces that hold history — weathered edges, quiet textures, the marks of time — and I translate these qualities into layered, tactile works. Collagraphy and mixed‑media painting anchor my practice. I build plates intuitively, allowing materials to shift and resist, letting chance shape the outcome. The press becomes a place of revelation, where intention meets unpredictability and imperfect beauty emerges through touch, pressure, and the expressive voice of the materials themselves.
Instagram jgnieuwenhof
My work as a painter and printmaker grows from a deep connection to the natural environment and a fascination with humble, often overlooked materials. I’m drawn to surfaces that hold history — weathered edges, quiet textures, the marks of time — and I translate these qualities into layered, tactile works. Collagraphy and mixed‑media painting anchor my practice. I build plates intuitively, allowing materials to shift and resist, letting chance shape the outcome. The press becomes a place of revelation, where intention meets unpredictability and imperfect beauty emerges through touch, pressure, and the expressive voice of the materials themselves.
